At the Stellenbosch Triennale, an exhibition of art that happens every three years, the current exhibition of work by Pan-Africanist artists re-creates the colonial and apartheid-era city of Stellenbosch in an attempt to see how art can make change and bring healing.
“It’s beautifully audacious,” [the slam poet Adrian “Diff” van Wyk] said. “This place just needs disruption, constant disruption.”
Read more in this review by Siddhartha Mitter from The New York Times.
