For one thing…this amazing work from the 1st or 2nd c. CE, a copy after a Greek original. Called The Dying Gaul, the sculpture was discovered in Rome in the early 17th c. It was first mentioned in writing in 1623…around the time Bernini was working for Cardinal Scipio Borghese.
This is the kind of work that also inspired Donatello and Michelangelo, although they never saw this particular sculpture. But Rodin knew it, as well as every other great sculptor in the Western tradition.
It’s on exhibit at the National Gallery of Art in Washington, D.C. until March 16, 2014.
Here’s the press release from the NGA, and an article about the work from today’s Washington Post with additional views.
At the top is Van Gogh’s painting, The Bedroom, from 1888 as we know it today and as it exists today. But the blue of the walls has faded over the years, and the red he mixed with blue has gone. The image below (with the lavender walls) shows Van Gogh’s painting digitally enhanced according to what conservators and art historians have learned about his painting techniques. Read more about this project here.
El Anatsui’s works are part sculpture and part tapestry, and have all the color and painterly quality of Titian. An exhibit recently opened at the Brooklyn Museum is a great place to see his work.
“Adoration of the Kings.” Girolamo da Santacroce, circa 1525–30 , oil on panel, 67.7 x 81.2 cm. Acquired by Henry Walters with the Massarenti Collection, 1902.
The Walters Art Museum
If you’re near Baltimore, this is an important exhibit to see at the Waalters Art Museum, and here is a review by Philip Kennicott, Washington Post, October 25, 2012.
“Head of an African Man Wearing a Turban,” Peter Paul Rubens, circa 1609, oil on paper, laid down on panel, 54 x 39 cm,
Private collection, courtesy of Jean-Luc Baroni Ltd., London
How were American artists involved in bringing Modern European art to the US? New research and exhibits for the centennial of the Armory Show of 1913 suggests that American artists were very much involved…and viewed Modern art from Europe as both challenging and invigorating. Read Holland Cotter’s article from the NYT, 10/28/12.
After looking at this great online exhibit of the history of New York in 50 objects, think about creating a list for your hometown. What’s most important? How far back would you go? What would you choose to represent your hometown today?
An exhibit at the New York Botanical Garden in the Bronx recreates Monet’s gardens at Giverny. Read more. Doesn’t his palette look like a garden?
In conjunction with the exhibition “Byzantium and Islam: Age of Transition” at the Metropolitan Museum of Art in NYC (on view March 14 through July 8, 2012), art historian Elizabeth Bolman introduces the Red Monastery project.
There’s a great video here about a current exhibit on prints.
Do you know how images such as the one at left were used? Watch the video and find out.
From the site: “Prints and the Pursuit of Knowledge in Early Modern Europe examines how celebrated Northern Renaissance artists contributed to scientific inquiries of the 16th century.
Rare and treasured prints, drawings, books, maps, and scientific instruments demonstrate that artists were not just illustrators in the service of scientists but that their work played an active role in facilitating the understanding of new concepts in astronomy, geography, natural history, and anatomy.
Featuring work by Albrecht Dürer, Hans Holbein, Hendrick Goltzius, Jacques de Gheyn and others, the exhibition was organized by the Harvard Art Museums, Cambridge, Massachusetts, in collaboration with the Block Museum.”
Here’s a link to a short video on anatomical flap prints.
For more videos on the exhibit, go to this link.
The virtual camerino at this site is worth looking at.